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	<title>Comments for Archaeology and Material Culture</title>
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	<link>http://paulmullins.wordpress.com</link>
	<description>The material world, broadly defined</description>
	<lastBuildDate>Wed, 22 May 2013 14:24:30 +0000</lastBuildDate>
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		<title>Comment on Commodifying Conception: The Material Culture of Sperm Banks by Quentin</title>
		<link>http://paulmullins.wordpress.com/2013/04/15/commodifying-conception-the-material-culture-of-sperm-banks/#comment-851</link>
		<dc:creator><![CDATA[Quentin]]></dc:creator>
		<pubDate>Wed, 22 May 2013 14:24:30 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1188#comment-851</guid>
		<description><![CDATA[Just got around to reading this, and it is absolute gold.  What an interesting window into social life, consumer expectations, and subjectivity!]]></description>
		<content:encoded><![CDATA[<p>Just got around to reading this, and it is absolute gold.  What an interesting window into social life, consumer expectations, and subjectivity!</p>
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		<title>Comment on The Faces of Otzi: Imagining the Dead by Susan R. Boettcher</title>
		<link>http://paulmullins.wordpress.com/2013/05/19/the-faces-of-otzi-imagining-the-dead/#comment-840</link>
		<dc:creator><![CDATA[Susan R. Boettcher]]></dc:creator>
		<pubDate>Mon, 20 May 2013 14:54:01 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1293#comment-840</guid>
		<description><![CDATA[Thanks.]]></description>
		<content:encoded><![CDATA[<p>Thanks.</p>
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		<title>Comment on The Faces of Otzi: Imagining the Dead by Paul Mullins</title>
		<link>http://paulmullins.wordpress.com/2013/05/19/the-faces-of-otzi-imagining-the-dead/#comment-839</link>
		<dc:creator><![CDATA[Paul Mullins]]></dc:creator>
		<pubDate>Sun, 19 May 2013 21:35:19 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1293#comment-839</guid>
		<description><![CDATA[That is a wonderful piece, thanks]]></description>
		<content:encoded><![CDATA[<p>That is a wonderful piece, thanks</p>
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		<title>Comment on The Faces of Otzi: Imagining the Dead by Susan R. Boettcher</title>
		<link>http://paulmullins.wordpress.com/2013/05/19/the-faces-of-otzi-imagining-the-dead/#comment-837</link>
		<dc:creator><![CDATA[Susan R. Boettcher]]></dc:creator>
		<pubDate>Sun, 19 May 2013 17:57:41 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1293#comment-837</guid>
		<description><![CDATA[I wrote about some similar themes w/r/t Heinrich IV in 2007:

http://www.h-net.org/~german/reviews/boettcherfeb07.htm]]></description>
		<content:encoded><![CDATA[<p>I wrote about some similar themes w/r/t Heinrich IV in 2007:</p>
<p><a href="http://www.h-net.org/~german/reviews/boettcherfeb07.htm" rel="nofollow">http://www.h-net.org/~german/reviews/boettcherfeb07.htm</a></p>
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		<title>Comment on The Faces of Otzi: Imagining the Dead by bgallegos</title>
		<link>http://paulmullins.wordpress.com/2013/05/19/the-faces-of-otzi-imagining-the-dead/#comment-836</link>
		<dc:creator><![CDATA[bgallegos]]></dc:creator>
		<pubDate>Sun, 19 May 2013 02:08:52 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1293#comment-836</guid>
		<description><![CDATA[Good report!]]></description>
		<content:encoded><![CDATA[<p>Good report!</p>
]]></content:encoded>
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		<title>Comment on Bourgeois Brew: The Landscapes of Craft Brewing by Sugar Bowl: Week of 5/18/13 &#124; Discharmed</title>
		<link>http://paulmullins.wordpress.com/2013/05/15/bourgeois-brew-the-landscapes-of-craft-brewing/#comment-834</link>
		<dc:creator><![CDATA[Sugar Bowl: Week of 5/18/13 &#124; Discharmed]]></dc:creator>
		<pubDate>Sat, 18 May 2013 19:52:17 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1271#comment-834</guid>
		<description><![CDATA[[&#8230;] not a fan of beer, but learning about your local breweries and what your region is known for regarding alcohol seems like a nifty way to learn more about your [&#8230;]]]></description>
		<content:encoded><![CDATA[<p>[&#8230;] not a fan of beer, but learning about your local breweries and what your region is known for regarding alcohol seems like a nifty way to learn more about your [&#8230;]</p>
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		<title>Comment on Bourgeois Brew: The Landscapes of Craft Brewing by Paul Mullins</title>
		<link>http://paulmullins.wordpress.com/2013/05/15/bourgeois-brew-the-landscapes-of-craft-brewing/#comment-820</link>
		<dc:creator><![CDATA[Paul Mullins]]></dc:creator>
		<pubDate>Wed, 15 May 2013 18:56:56 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1271#comment-820</guid>
		<description><![CDATA[Actually Rebecca introduced the &quot;tied houses&quot; to me in her TAG paper.  Normally I would be a little more thorough about citations, but I was keen to post a little something during Craft Beer week and the subject had been in my head while thinking about Wicker Park.  Thanks for the references to the French term origins, I&#039;ll look them over.]]></description>
		<content:encoded><![CDATA[<p>Actually Rebecca introduced the &#8220;tied houses&#8221; to me in her TAG paper.  Normally I would be a little more thorough about citations, but I was keen to post a little something during Craft Beer week and the subject had been in my head while thinking about Wicker Park.  Thanks for the references to the French term origins, I&#8217;ll look them over.</p>
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		<title>Comment on Bourgeois Brew: The Landscapes of Craft Brewing by Michael Dietler</title>
		<link>http://paulmullins.wordpress.com/2013/05/15/bourgeois-brew-the-landscapes-of-craft-brewing/#comment-819</link>
		<dc:creator><![CDATA[Michael Dietler]]></dc:creator>
		<pubDate>Wed, 15 May 2013 18:47:47 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1271#comment-819</guid>
		<description><![CDATA[Hi Paul.  Very interesting reflections on the urban brewscape. Just a couple of points to add: (1) David Brooks actually borrowed the &quot;Bourgeois Bohemian&quot; (aka &quot;BoBo&quot;) terminology from France, where it has been a common concept for many years (along with the colorful &quot;Gauche caviar&quot; and &quot;Bon chic bon genre&quot;--aka &quot;BCBG&quot;); (2) A discussion of Prohibition and the reuse of vanished breweries of Chicago was covered beautifully in a paper at the Chicago TAG conference by the historical archaeologist Rebecca Graff, in a paper entitled &quot;Remembrances of Beers Past: Chicago and the Relics of Prohibition&quot;--look for the publication soon. Slainte!]]></description>
		<content:encoded><![CDATA[<p>Hi Paul.  Very interesting reflections on the urban brewscape. Just a couple of points to add: (1) David Brooks actually borrowed the &#8220;Bourgeois Bohemian&#8221; (aka &#8220;BoBo&#8221;) terminology from France, where it has been a common concept for many years (along with the colorful &#8220;Gauche caviar&#8221; and &#8220;Bon chic bon genre&#8221;&#8211;aka &#8220;BCBG&#8221;); (2) A discussion of Prohibition and the reuse of vanished breweries of Chicago was covered beautifully in a paper at the Chicago TAG conference by the historical archaeologist Rebecca Graff, in a paper entitled &#8220;Remembrances of Beers Past: Chicago and the Relics of Prohibition&#8221;&#8211;look for the publication soon. Slainte!</p>
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		<title>Comment on Consuming Marginality: An Archaeology of Hipster Materiality by Todd Lemmon</title>
		<link>http://paulmullins.wordpress.com/2013/05/09/consuming-marginality-an-archaeology-of-hipster-materiality/#comment-814</link>
		<dc:creator><![CDATA[Todd Lemmon]]></dc:creator>
		<pubDate>Tue, 14 May 2013 20:14:00 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1253#comment-814</guid>
		<description><![CDATA[This is interesting to me from a &quot;community&quot; standpoint, too. How are we bound and why? What are the controlling &quot;vectors of these groups however we define them? I.e., what things are sine qua nons? Is it politics? A certain POV on how livestock is raised? Taste in music? How flexible are the bounds of any one group? And what beliefs or behaviors cast someone out of that group?]]></description>
		<content:encoded><![CDATA[<p>This is interesting to me from a &#8220;community&#8221; standpoint, too. How are we bound and why? What are the controlling &#8220;vectors of these groups however we define them? I.e., what things are sine qua nons? Is it politics? A certain POV on how livestock is raised? Taste in music? How flexible are the bounds of any one group? And what beliefs or behaviors cast someone out of that group?</p>
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		<title>Comment on Consuming Marginality: An Archaeology of Hipster Materiality by Paul Mullins</title>
		<link>http://paulmullins.wordpress.com/2013/05/09/consuming-marginality-an-archaeology-of-hipster-materiality/#comment-811</link>
		<dc:creator><![CDATA[Paul Mullins]]></dc:creator>
		<pubDate>Tue, 14 May 2013 16:45:59 +0000</pubDate>
		<guid isPermaLink="false">http://paulmullins.wordpress.com/?p=1253#comment-811</guid>
		<description><![CDATA[I don&#039;t really object to labeling faux marginality, and in fact I agree that much of the contrived outsider status of many contemporary social groups awkwardly conceals wealth and racial privilege.  I agree that contemporary hipsters remain oblivious to the heritage of this term or for that matter nearly all historical dimensions of style.  But I do think that mass culture named a consumer phenomenon &quot;hipster&quot; in ways that try to manage that demographic and ensure continued consumption; the degree to which hipsters (or any other group) express, on the one hand, some authentic style and, on the other hand, the ideological meanings handed them by mass marketers is ambiguous.  I think I can have some sympathy to hipsters&#039; sense of distinction without accepting that anybody wearing Rapha can be anything but affluent.  I do think there is some social movement to be named with some clear material dimensions and patterns, and I certainly think most of us can see it in places like Bucktown, but I also think it hopes to outrun marketers&#039; efforts to name them and manage their materiality.]]></description>
		<content:encoded><![CDATA[<p>I don&#8217;t really object to labeling faux marginality, and in fact I agree that much of the contrived outsider status of many contemporary social groups awkwardly conceals wealth and racial privilege.  I agree that contemporary hipsters remain oblivious to the heritage of this term or for that matter nearly all historical dimensions of style.  But I do think that mass culture named a consumer phenomenon &#8220;hipster&#8221; in ways that try to manage that demographic and ensure continued consumption; the degree to which hipsters (or any other group) express, on the one hand, some authentic style and, on the other hand, the ideological meanings handed them by mass marketers is ambiguous.  I think I can have some sympathy to hipsters&#8217; sense of distinction without accepting that anybody wearing Rapha can be anything but affluent.  I do think there is some social movement to be named with some clear material dimensions and patterns, and I certainly think most of us can see it in places like Bucktown, but I also think it hopes to outrun marketers&#8217; efforts to name them and manage their materiality.</p>
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