A Brazilian artist’s take on the hipster (image courtesy ciscai).
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Recent Posts
- Dispossession and Demolition: Razing Second Christian Church
- Nazis in the Heartland: The German-American Bund in Indianapolis
- Commerce, Execution, and the Black Corpse: Injustice and Sherman Arp
- Retreating to Exclusivity: Diversity and Place at Newfields
- Circle City Confederates: Family and Rebellion in Civil War Indianapolis
- Dehumanization, Dignity, and Development: Contemporary Cemetery Preservation
- The “Blank Slate” of Pastness and African-American Place
- Disenfranchised Design: Development and African-American Placemaking on Indiana Avenue
- Escaping the Noose: A Near-Lynching in Late-19th Century Boone County
- Memory-Making and Civility: Removing the Garfield Park Confederate Monument
- Consuming Indiana Avenue: Memory, Marketing, and Jazz Heritage in Indianapolis
- Romanticizing Racist Landscapes: Segregation and White Memory in Riverside Amusement Park
- Self Made: Community, the Color Line, and Women Working for Madam Walker
- Seeing the White River: Visual Heritage in Riverside Park
- Community Heritage and Eviction in Blue Lake Trailer Park
- Digging Dillinger
- In the Shadow of the Interstate: Living with Highways
- Imagining the Urban Wilderness: The Rhetoric of Resettling the 21st-Century City
- The Hooded Order in the Pulpit: Klan Membership in 1920’s Indianapolis Churches
- Racist Spite and Residential Segregation: Housing and the Color Line in Inter-War Indianapolis
- Visual Memory and Urban Displacement
- A Digital Heritage of Confederate Memorialization: Julian Carr and Silent Sam
- Gates, Place, and Urban Heritage
- Visualizing Racism: The Trauma of Lynching Photography
- The Ruins of Rebellion: Absence on the Confederate Memorial Landscape
My Tweets
Tweets by mullins_paulAbout me
I am a historical archaeologist who studies consumer culture, focusing on material consumption and the color line and dark heritage. I'm the author of "Revolting Things: An Archaeology of Shameful Histories and Repulsive Realities." I am a Professor in the Department of Anthropology at Indiana University-Purdue University, Indianapolis (IUPUI); Docent in Historical Archaeology at the University of Oulu (Finland); Past-President of the Society for Historical Archaeology (2012-2013); and a cycling geek.
Blogroll
- Abandoned Kansai
- African Diaspora Archaeology Newsletter
- After Indiana
- Ancient Bodies, Ancient Lives
- Anthropologizing
- Archaeology in Annapolis
- Archaeology, Museums and Outreach
- Art Deco & Modernism Architecture Tasmania
- Cheri Sundra, Guerilla Historian
- Colossal Art and Design
- Conserving the Twentieth Century
- Consumer Culture Theory
- Consumer Futures 2020
- CultureBy
- Dead Confederates
- Digital Digging
- Digs and Docs
- Dirt
- Discard Studies
- Doug's Archaeology
- Easily Distracted
- Everyday Trash
- Ewa Fornal
- F**k Yeah Abandoned Places
- Failed Architecture
- Flinders Archaeology
- History of Consumer Society and the Mass Media
- If I Were a Hoarder
- Indiana Jen
- Landscape Redux
- Livin' in the Bike Lane
- LukeBennett13
- Material World
- Messy Nessy Chic
- Metaarchaeological Nonsense
- Michael Shanks
- Middle Savagery
- Militarisierte Landschaft
- Musings of an Unemployed Archaeologist
- My Cartoon Version of Reality
- Objects-Buildings-Situations
- Open Access Archaeology
- Particulations
- Pop Anth: Hot Buttered Humanity
- PopMatters
- Post Industrial Montreal
- Publishing Archaeology
- Quentin Lewis' Anthropology/Culture/Music
- Ruin Memories
- Schizocartography
- Sexy Archaeology
- Sheltering Memory
- Shreds and Patches
- Society for Historical Archaeology
- Society for Post-Medieval Archaeology
- Space Age Archaeology
- The Archaeological Eye
- The Bohemian Blog
- Then Dig
- Thing Sites
- Third Reich in Ruins
- This Spatial Life
- Unurth: Street Art
- Waste Effects
- We Were Modern
- Whitewater POW Camp Project
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Archaeology and Material Culture by Paul R. Mullins is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Based on a work at https://paulmullins.wordpress.com/.
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