The former Czech village of Lidice is today a peaceful countryside, a neatly cropped rolling field punctuated by a postcard-cute babbling brook and a scatter of trees. The massive lawn rolls over some nearly imperceptible depressions and a couple of neatly landscaped foundations, but only a few benches and sidewalks disrupt the bucolic landscape. Nestled in a modest rural setting seemingly far from nearby Prague, the space is a quiet and even peaceful place of reflection that is far-removed from its quite unpleasant heritage.
Like many dark heritage sites, the horrific narrative of mass murders and the complete razing of Lidice in 1942 contrast with an aesthetically pleasant contemporary space. Lidice perhaps magnifies the role of imagination because it has exceptionally sparse material remains in the midst of a pleasant countryside; nevertheless,the imaginative experience of comprehending inexpressible barbarism in the midst of settled contemporary landscapes is common to many dark heritage sites. Lidice illuminates the ways contemporary landscape aesthetics and material absences profoundly shape dark heritage experiences. Read the rest of this entry