A host of photographers, community historians, and self-styled urban critics have produced a fascinating visualization of the architectural detritus of cities, industry, and various failings of modernity. That flood of so-called “ruin porn” has unleashed a complex breadth of artistic creativity as well as anxieties about the social implications of gaze and how we see, photograph, and imagine architectural remains. Much of the uneasiness with ruin photography laments the camera’s gaze as a selective and seemingly distorted representation of our visual and physical experience of an objective reality: that is, the implication is that a photographer frames landscapes in selective ways, and the realities confirmed by our eyes are somehow corrupted by digital filters, High Dynamic Range imaging (HDR), and camera lens filters that toy with color balance, light intensity, and nearly every dimension of a photographic image. This somewhat awkwardly ignores our fascination with ruins and ruin images; it suggests that we should privilege how our eyes and bodies experience ruin landscapes; and it perhaps implies that the only “authentic” representations of ruins can come from residents and people who can somehow lay claim to ruined places’ narratives.
The visual and physical gaze on ruins is now being further complicated by the emergence of drone videos documenting ruin landscapes. For instance, in 2014 British filmmaker Danny Cooke visited the Chernobyl exclusion zone to film the remains of the 1986 nuclear accident for a 60 Minutes report. Chernobyl is one of the world’s most intensively photographed ruin sites, a uniquely captivating abandonment in which a whole community apparently dropped everything in place. The site is used by various observers to evoke the resilience of nature, underscore humans’ consequential impact on public health and the environment, and illuminate a state’s enormous arrogance, so it is an enormously magnetic dark tourism site (nearly 10,000 people visit the exclusion zone each year, see a really interesting analysis of this tourism on The Bohemian Blog). Read the rest of this entry