In 1984 artist Ralph Louis Temple painted a series of oil studies of his childhood Indianapolis neighborhood. Temple’s family had lived on Minerva Street since 1866, when Ralph’s great grandfather Carter Temple Sr. came to the Circle City. Ralph Temple’s painting featured the double at 546-548 Minerva Street, the neighboring corner home at 550 Minerva, and William D. McCoy Public School 24 in the background along North Street. Carter Temple Jr.’s granddaughter Cecelia was still living in the home at 550 Minerva Street in 1978, the last of a century of Temple family to live on Minerva Street. Her brother Ralph’s paintings of the neighborhood cast it in a quite different light than the dominant rhetoric and imagery that aspired to displace families like the Temples.
There are numerous images of the neighborhood in the postwar period, when it was one of many historically African-American urban communities that were gradually being displaced by a host of renewal schemes. The Temples’ home for more than a century would fall to the wrecking ball when Indiana University-Purdue University, Indianapolis (IUPUI) was expanding in the late 1970’s. The city of Indianapolis was simultaneously razing a host of businesses along Indiana Avenue, and in the 1960’s the interstate was being constructed through the predominately African-American near-Westside while it sliced through much of the eastside and southside as well. As blocks of buildings fell along Indiana Avenue in the 1970’s the city also lobbied for the demolition of Lockefield Gardens, which closed in 1976. Lockefield was a segregated Public Works Administration community that opened in 1938 across the street from 550 Minerva Street, with School 24 in its midst. In July, 1983 demolition finally removed all but seven of the original Lockefield buildings. Read the rest of this entry
This week Indiana University-Purdue University Indianapolis (IUPUI) celebrated the impending construction of five “gateways” to campus, architectural features designed to identify the campus boundaries as students, staff, and visitors enter the near-Westside university. The most prominent gateway will be at West and Michigan Streets, a 52′-tall limestone and steel monolith that will be lit at night and be neighbored two blocks south by a more modest marker at New York and West Streets. Alongside these gateways a “series of landscape mounds along West Street between the two gateway markers also will visually distinguish the campus from the surrounding city.” This exercise in placemaking takes its aesthetic inspiration from the campus itself, invoking the architectural forms of the University Library (designed by Edward Larrabee Barnes, completed in 1994), Campus Center (SmithGroup JJR, 2008), and Eskenazi Hall (Browning Day Mullins Dierdorf, 2005). The gateways aspire to fashion a material landscape stylistically consistent with these existing buildings, though the media coverage of the gateways has featured the sheer scale of the monoliths, which are “large enough to be seen from an airplane.” Chancellor Nasser Paydar exalted that “anyone on a plane approaching Indianapolis, we want them to see this is how proud they are with this campus.” Read the rest of this entry